#3Dlikeness

Hi!

I just started a Foam Clay sculpture and I need to come back to finish up tomorrow. What is the best way to preserve it so I can come back to finish?

Thanks!

Hey everyone! First time trying sculpture in my life. This is Koh-i-Noor sculpting plasticine, about 11cm / 4.3 inches tall.
No armature besides a bit of copper wire, no reference, all from head. Just a block and a loop tool.
I know the chest needs to be a bit lower and wider, tried to fix it in the second session. It's supposed to be a bodybuilder so I made the waist extra narrow.
Any critique welcome! What should I focus on next?

How do I go about sculpting this

**Goddess Bhawani** of **Maharashtra**, **India** this sculpture concept was sketched by my fellow mate

Just recently go into sculpting and the uv resin I’m using leaves this splotchy pattern is it because I’m using to much it looks fine when I paint it on and I don’t feel like Im using a lot

Alright, I'll keep this super brief:

I have ZERO experience with anything artistic - i work in specialty finance and play sports

I need a healthy hobby that I can do inside my house... I came across this sub and love this shit

Is clay best to work with? Im really just aiming for abstract shit... I can't draw a person in 2D so a person in 3D is pretty fruitless at this point

Thanks in advance, appreciate it

Title says it!

Strangely or not, my childhood was haunted by Constantin Brancusi, who pared down art into elemental egg shapes and invented modern sculpture. My father, like Brancusi, was born in Romania, and he too aspired to be a sculptor. He once carved a large egg from a block of white marble, and in its striking simplicity of form, it looked exactly how I imagined modern art should look. He worked on it for a long time, chipping away with his mallet and chisel and filling our house with a metallic plink-plink-plink — the sound, I assumed, of great art.

Chisels and mallets, as it turns out, play a prominent role in “Brancusi: The Artist and His Studio,” a large, revelatory exhibition opening Sunday at the Museum of Modern Art. The show zeros in on the Impasse Ronsin, a narrow alleyway in Paris where Brancusi, an émigré, worked and lived for four decades, in a high-ceiling space cluttered with his tall, twisty “Endless Columns” and coated in a layer of white plaster dust.

Access full gift article, NO PAYWALL.